Research & Development
Research & Development
Public Art Projects
Public Art Projects
Old Ways, New brings together Adam Goodes and Baden Pailthorpe in partnership with ANU’s College of Computer Sciences and Software Engineering to design new software development methodologies and spatial technologies that embody the complex interrelationships of data, tracking elite bodies, Indigenous pattern thinking, spatial awareness and navigation.
Ngapulara Ngarngarnyi Wirra (Our Family Tree), 2022 reveals the cultural significance of Adam’s AFL tracker data through Adnyamathanha Yarta (country), Kinship and Ngarwala (language). The Tracker Data project realises an opportunity to build new culturally informed technologies which embed Indigenous Traditional Knowledges and protocols into the overarching framework and architecture, with the intent and capacity to deliver broad social, cultural and environmental impact, better usability, and deeper insights. This project reclaims, repatriates and reimagines the unique and rich archive of Adam Goodes’ AFL tracker data to reveal the hidden dimensions of the cultural inputs though significant Adnyamathanha forms such as Adam’s ancestors, the Wirra (tree), Adnja (rock), Ngairri (sky) and Vari (river bed).
The research and development process for this project will decompress the reductive nature of data capture by bringing to life the cultural relationships and knowledges inherent in Adam’s performance as an elite Indigenous athlete and leader.
Projects
Projects
Learn more about the Old Ways, New Publication on Indigenous Protocols and Artificial Intelligence (IP//AI), introducing ways to embed cultural protocols into programming logic.
In this paper we share our journey starting with an international group of Indigenous technologists at the inaugural workshop series in Hawaii in 2019, leading to the IP//AI Incubator in March, 2021.
Key learnings from the foundations of these works were the need for Indigenous AI to be regional in nature, conception, design and development, to be tethered to localised Indigenous laws inherent to Country, to be guided by local protocols to create the diverse standards and programming logic required for the developmental processes of AI, and to be designed with our future cultural interrelationships and interactions with AIs in mind.
Read more via link here.
One participant, Suzanne Kite, an Oglala Lakota woman from Concordia University in Montreal, shared a system she created using human hair as a living network of sensors that can interface with machine learning software. The future of technology, she believes, is not in what we can rip from the earth for a few more decades, but in an Indigenous understanding of biological hardware; resources we can grow ourselves, even from our own bodies. “How can Lakota understandings of hair affect the designs of technology? What does a Lakota data-visualisation interface look like?”
Environmental concerns were of concern to other participants, such as Megan Kelleher, a Baradha woman from Melbourne’s RMIT University who focuses on the connections between Indigenous knowledge and blockchain technologies. She shared some of the innovations being made in automation, which included designs for bots made from seaweed, and cybernetic organisms that can move through the water like eels. Maori attendees developed an AI based on a rigorous data sovereignty framework that is profoundly different from how most AI works.
A second series of workshops were conducted in Hawaii, with a smaller section of the working group to develop a Position Paper. This position paper is the culmination of a variety of Indigenous peoples perspectives on Indigenous Protocols and Artificial Intelligence and aims to support divergent and critically missing voices within the design and development of AI.